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Salinger’s The Catcher in the Rye-New Edition Copyright ©2009 by Infobase Publishing Introduction ©2009 by Harold Bloom All rights reserved. Sterling Professor of the Humanities Yale UniversityĮditorial Consultant, John Unrue Bloom’s Modern Critical Interpretations:
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Portnoy’s Complaint A Portrait of the Artist as a Young Man Pride and Prejudice Ragtime The Red Badge of Courage The Rime of the Ancient Mariner The Rubáiyát of Omar Khayyám The Scarlet Letter Silas Marner Song of Solomon The Sound and the Fury The Stranger A Streetcar Named Desire Sula The Tale of Genji A Tale of Two Cities The Tempest Their Eyes Were Watching God Things Fall Apart To Kill a Mockingbird Ulysses Waiting for Godot The Waste Land White Noise Wuthering Heights Young Goodman Brownīloom’s Modern Critical Interpretations J. The Grapes of Wrath Great Expectations The Great Gatsby Gulliver’s Travels The Handmaid’s Tale Heart of Darkness I Know Why the Caged Bird Sings The Iliad Jane Eyre The Joy Luck Club The Jungle Lord of the Flies The Lord of the Rings Love in the Time of Cholera The Man Without Qualities The Metamorphosis Miss Lonelyhearts Moby-Dick My Ántonia Native Son Night 1984 The Odyssey Oedipus Rex The Old Man and the Sea On the Road One Flew Over the Cuckoo’s Nest One Hundred Years of Solitude Persuasion Holden concludes his story by refusing to talk about what happened after that, but he fills in the most important details: he went home, was sent to the rest home, and will attend a new school next year.Bloom’s Modern Critical Interpretations The Adventures of Huckleberry Finn The Age of Innocence Alice’s Adventures in Wonderland All Quiet on the Western Front As You Like It The Ballad of the Sad Café Beowulf Black Boy The Bluest Eye The Canterbury Tales Cat on a Hot Tin Roof The Catcher in the Rye Catch-22 The Chronicles of Narnia The Color Purple Crime and Punishment The Crucible Darkness at Noon Death of a Salesman The Death of Artemio Cruz Don Quixote Emerson’s Essays Emma Fahrenheit 451 A Farewell to Arms Frankenstein He takes her to the park, and watches her ride on the merry-go-round he suddenly feels overwhelmed by an inexplicable, intense happiness.
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He tries to leave New York forever and hitchhike west, but when Phoebe insists on going with him he relents, agreeing to go back home to protect his sister from the ugliness of the world. He wanders the streets, looking at children and talking to Allie. The next day Holden experiences the worst phase of his nervous breakdown. Antolini to be making a homosexual advance toward him, Holden leaves his apartment, and spends the rest of the night on a bench in Grand Central Station. He borrows some money from her, then goes to stay with his former English teacher, Mr. He wants to see his sister Phoebe and his old girlfriend Jane Gallagher, but instead he spends his time with Sally Hayes, a shallow socialite Holden's age, and Carl Luce, a pretentious Columbia student Holden treats as a source of sexual knowledge Increasingly lonely, Holden finally decides to sneak back to his parents' apartment to talk to Phoebe. In New York, he succumbs to increasing feelings of loneliness and desperation brought on by the hypocrisy and ugliness of the adult world he feels increasingly tormented by the memory of his younger brother Allie's death, and his life is complicated by his burgeoning sexuality. Holden has been expelled from Pencey for academic failure, and after an unpleasant evening with his self-satisfied roommate Stradlater and their pimply next-door neighbor Ackley, he decides to leave Pencey for good and spend a few days alone in New York City before returning to his parents' Manhattan apartment. Holden tells the story of his last day at a school called Pencey Prep, and of his subsequent psychological meltdown in New York City. The Catcher in the Rye is narrated by Holden Caulfield, a sixteen year-old boy recuperating in a rest home from a nervous breakdown, some time in 1950.